Swedish Realist Painter, 1853-1919
Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren. Related Paintings of Carl Larsson :. | dekorativ utsmyckning pa skorstensstock pa spadarvet | nejlika i gron blomkruka | pontus-pontus pa golvet | sondag -sondagsvila | Mumps Etching |
Related Artists:Benjamin Vautier
painted Kinder beim Mittagessen in 1857WILLAERTS, Adam
Dutch painter (b. 1577, Antwerpen, d. 1664, Utrecht)
During his early years in Antwerp he was impressed with the colourful paintings of the Fleming Jan Breughel the elder, but the subject and style of his earliest known picture, Dutch East Indiamen off the West African Coast (1608; Amsterdam, Hist. Mus.), presumably painted after the artist's arrival in Holland, shows the influence of the Dutch marine painter Hendrick Cornelisz. Vroom. In this painting Willaerts adopted Vroom's austere compositional scheme of an uninterrupted horizontal expanse of water with no framing devices,RENI, Guido
Italian Baroque Era Painter, 1575-1642
Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.